This music is meant to keep depression at arm's length during the holiday season. Among other things, any number of people (who would not otherwise) will probably sleep with you if they hear you listen to these tracks in conjunction.
D.A.R.L.I.N.G.. Beach House
On February 26th the Baltimore based duo Beach House will release their sophomore album, Devotion, on Carpark Records. Like their self-titled debut (which I listened to compulsively to keep myself warm last winter) it is woozy and seductive, full of half-lit scenes that beckon you, conspiratorially, into their willowy beauty. Darling itself, the hackneyed-unto-oblivion word, even seems to regain some semblance of compelling affection when Victoria Legrand renders it letter by letter.
Busy Doing Nothing (Optimo (Espacio) Remix). Love is All
The past month or so has seen the release of two fantastic remixes by Optimo (Espacio) (JD Twitch and JG Wilkes) Colder's "To the Music" and "Busy Doing Nothing", Love is All's incomparable anthem to sedentary days of non-stop movie watching and repeat record listening. Optimo is also a night put on at The Sub Club in Glasgow by the aforementioned duo, who book bands and handle the DJ duties themselves. Check out their website here: Optimo. They have some great mixes up that serve as introductions to some of their favorite genres and bands, such as...
Optimo. Liquid Liquid
This would be the prime example, the song from which they took their name. There was just an insane amount of musical invention going on in New York in the late seventies and eighties, something that compilations like Soul Jazz's New York Noise compilations have tried to document. "Optimo" sounds especially contemporary at the moment, a form of primal, funk-laden dance rock.
Cardboard Lamb. Crash Course in Science
I dream of cardboard lambs these days. They're new, they're hot, they are sexually suggestive. Maybe you can dream of cardboard lambs too.
3E. Mars
Mars is one of the seminal no-wave bands and was included on the celebrated No New York album put together by Brian Eno. I have verged on stepping into the somewhat vaguely defined genre a couple of times...but never quite did so. Anyway, "3E" does it for me and it does it for Thurston Moore so maybe it will do it for you.
Little Lost. Jens Lekman
This is a cover of one of my favorite Arthur Russell songs, given a gentle reading by Lekman in which he shows that the th sound is one of the most troublesome for those who learn English as second, third or seventh language. It is a spare rendition, vocals, idiosyncratic percussion and bass—just enough to frame and properly focus Russell's tender lyrics.
Baltimore. Stephen Malkmus & The Jicks
The first taste of the forthcoming 2008 LP, Real Emotional Trash, "Baltimore" contains some quintessential Malkmusian vocal-tangents, soaring harmonies and a lot of churning and fractured guitar. It's a long one that gets where it's going in segments that somehow coalesce into a surprisingly unified whole before it slides into two plus minutes of measured cacophony.
Über Wiesen. Thomas/Mayer
Tobias Thomas and Michael Mayer teamed up for this track from Kompakt Total 8, which is basically piano house with a bouncy, elastic beat that is pretty difficult to resist. It manages to be pensive and joyful, a lot of fun with a soul to back it up.
Peacebone (Pantha Du Prince Remix). Animal Collective
This was the first thing I heard involving Pantha Du Prince of Hamburg's Dial label. Since, I have checked out "Saturn Strobe" (which is definitely worth repeated listens) and learned that the bells are a pretty standard part of the Dial sound. The "Peacebone" mix starts of with about four minutes of heavy bass, decorously minimal, before pushing forward into the glistening beauty of those chromatically chirping bells.
Fall from a Height (The Field Way). The Honeydrips
As if the original of this track wasnât good enough, or gorgeous enough; as if I wasn't satisfied by the tasteful samples from Annie Hall and Rebel Without a Cause. This is my favorite remix by The Field and one of the best things that he has done, period, full stop, period. It is the perfect exit note to a year that saw the release of the much, and rightfully, lauded From Here We Go Sublime. This is what I want to hear on New Year's Eve.
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